From 1978 until the end of their partnership in 1993, Brodsky and Utkin collaborated on etchings dense with precarious scaffolding, classical domes, huge glass towers, and other visionary architecture that referenced everything from ancient tombs to Le Corbusier’s sprawling city plans.
I’d never heard of Soviet artists Alexander Brodsky and Ilya Utkin or their intricate architectural fabulations. Hyperallergic reports on the publication of the third edition of their collected prints.