Unfortunately I cannot reproduce the page here. Photography at the exhibition, much like the film clip to Bowie and Mick Jagger’s rendition of ‘Dancing in the Streets’ in certain forward-thinking nations on the grounds of taste, is expressly forbidden.
“Docteur Qui is difficult enough to explain in English”
Once during practice for oral French my teacher asked me what my favourite TV programme was and I said Docteur Qui. She then asked me to describe it. Docteur Qui is difficult enough to explain in English and I’m afraid my sparse French didn’t suffice. She suggested if asked this question during the exam I should tell a white lie and pick something simpler. I chose Roobarb and Custard, a cartoon about a chat et un chien, which seemed more straightforward, but it didn’t help because I failed oral French anyway.
“Shadowy manifestations of urban landscapes somewhere between a dream and a chaotic future”
From 1978 until the end of their partnership in 1993, Brodsky and Utkin collaborated on etchings dense with precarious scaffolding, classical domes, huge glass towers, and other visionary architecture that referenced everything from ancient tombs to Le Corbusier’s sprawling city plans.
The first occurrence of the signal intrusion took place during then-independent station WGN-TV’s live telecast of its primetime newscast, The Nine O’Clock News. During Chicago Bears highlights in the sports report, the station’s signal was interrupted for about half a minute by a video of a person wearing a Max Headroom mask, moving around in front of a sheet of corrugated metal, which imitated the background effect used in the Max Headroom TV and movie appearances. There was no audio other than a buzzing noise. (…)
Later that night, around 11:15 p.m. Central Time, during a broadcast of the Doctor Who serial ‘Horror of Fang Rock’, PBS member station WTTW’s signal was hijacked using the same video that was broadcast during the WGN-TV hijack, this time with distorted audio.
Then I woke one day, and a line came to me. It didn’t slip away this time but stayed put. I followed it, like a path. It led to another, then another. Soon, pieces started lining up in my head, like cabs idling curbside, ready to go where I wanted to take them.
I like this as a description of how it feels when a new project starts to find its form and shape.
“Well-designed products make us feel that someone has been thinking about us, that a nice person took care of the little things for us”
To lay the foundation of human-machine interaction you need to put thought into things and that requires that you put things into thought. This is why most interfaces suck, and most interfaces will continue to suck. No model, method, or tool will change that. Thinking is painful. (…)
Well-designed products do not just save us time, they make us enjoy the time we spend with them. They make us feel that someone has been thinking about us, that a nice person took care of the little things for us.
” I agree with you about the spelling of poo, etc.”
Our early conversations and the revisions Roald made had to do with the shape of the story, the major characters, how the story began, how it ended, and what was missing. One significant change involved two chapters about problems the hero had at school. They were good stories, but I didn’t think they belonged in this book. Roald disagreed, strongly, and we argued about it. That was not fun. Eventually he agreed and the two chapters disappeared, but not forever.
“There isn’t a single, definitive Doctor Who, but a whole bunch of mutually contradictory, but mutually-reflecting, continuities”
It’s only really when [Doctor Who] returns in 2005 that a singular narrative is imposed again. The effect is rather like the way that, after a mass extinction (in this case the extinction of the TV programme), very quickly whole new ecological niches will open up and biodiversity will increase rapidly, before (as in this case) a new apex predator (the new series) comes along and causes another wave of extinctions.
“Consider the near-miss universe where Doctor Who’s spinoff is instead the downright alarming show Hot Cow Rod“
Torchwood itself is a parodic mirror of Doctor Who – its original function was as a decoy name for shipping film of Doctor Who, the name an anagram of ‘Doctor Who’. […] The idea that Torchwood mirrors Doctor Who is telling, as Torchwood is tacitly presented as the answer to the question ‘what happens when the Doctor doesn’t show up.’ They are defenders of Britain, and, like the Doctor, quintessentially Britain, stemming out of a long British tradition and particularly from the iconography of the Victorian era. But where the Doctor is the eccentric gentleman inventor and the old man guarding the gates to fairy, Torchwood is the militaristic ambition of glorious empire.
“The rental period for ‘Barbie – In A Mermaid Tale’ has ended”
“The most interesting part of writing a book is the how of telling that story…”
What is most real is the process, not the written representation, but the writer’s attention to the process of writing. That is what gives a work its vitality, and what gives the reader a heightened awareness, an experience of life.
(On Community) we did this thing (we called) ‘spit drafting’, which was basically (that) you’re writing a script, you have the outline, you know what’s supposed to happen in the scene, but you’re having a hard time actually writing out those scenes, you’re having a hard time getting the jokes…
So instead of writing dialogue, you type it out and say… ‘I am in a fight with you right now’… ‘I have a response to you fighting’… ‘Well, I think you’re a jerk because you wanted to eat a pastrami sandwich and I didn’t.’ You’re getting the shape of the scene and you’d write it about to the length of how much that scene would take up in your script.
Sounds like a fun way of breaking through first draft paralysis. Also, Ganz admits that the Community writers used to swear in their spit drafts ‘like crazy’, which sounds fun too.